Domenico Greco Atlantic Scupltor and Much More

 Domenico Greco.Atlantic Sculptor and Much More, The article that appeared a few years ago (November 22, 2018 ) on the pages of “Corriere Della Sera” regarding the sculptor Domenico Greco, author-sculptor of many Atlantic soldiers, ECSI, and Waterloo 1815 figures-sets made by journalist  Alessandro Fulloni, a toy soldier enthusiast and author of this article.

 Domenico Greco.Atlantic Sculptor and Much More Interview

 Domenico Greco.Atlantic Sculptor and Much More scupltor
“Boy, do you have 100 pounds? Here’s our news for you. The sculptor Domenico Greco smiles to remind him of this advertisement of the Atlantic soldiers in the seventies, from Mickey to Intrepid, from every comic book. “How could I not remember her? I used to sculpt those soldiers, I think at least two generations of Italian children have played with it, says the Maestro proudly, 72 years old, Calabrian origins but always a resident of Milan. His studio is in Via Bramante, near Via Paolo Sarpi. You can enter through a difficult gate in a succession of Chinese shops and “just in this laboratory, shortly after 1970, Sandro Compagnoni came to visit me.” A name that maybe says little, but those who sail in their fifties owe this entrepreneur the endless battles with soldiers in the afternoons after school.
Scupltor with masters
The Atlantic
Together with a friend, Pietro Guerra, Companions he founded the Atlantic, one of the target shooters, alpines, paratroopers, aviators, and sailors of Italy. Boxes initially rather naïf but soon they became well-groomed in every historical detail. With the corollary of endless controversies came the famous series dedicated to revolutions: Lenin and Mao, but also Mussolini and Hitler. The fantasy in power: planes, plastics, the “Giocagol” (a poor relative of Subbuteo). And those works passed through the hands of the Greeks: from the series of the ancient Egyptians — considered the most beautiful in the artistic profile — to the western ones. Finally, the «astral» — as he calls them — that starred Captain Harlock and Goldrake, the most followed protagonists of Japanese cartoons aired on the second Rai channel. These two last collections were «the Swan Song of the Atlantic. After entering the eighties, children stopped playing with soldiers. They preferred the video games of the first consoles.” The company, which had been appreciated by Europe and in the United States, must close its doors.
They paid well. »
The Maestro goes on with a flashback: “Comrades had heard about me, I don’t know from whom, maybe from the wife who had a toy store right in Via Sarpi. I was a little over twenty years old and I made statues for cribs. He asked if I wanted to dedicate myself to soldiers and I said yes. Not really my job but I’d give it a try. I was a little ashamed and initially, I didn’t say anything about my new business to the colleagues with whom we discussed the evening of Michelangelo and Canova. I liked it though. And I have to say that Companions paid well.”
A long process
Ready, go: the feet and blades of the Maestro — author of monuments to the fallen in several Italian squares — begin to mold wax that transforms into arches, spears, helmets, Colt and Winchester, beards, and bare chests. Then the spacesuits of Actarus and Alcor, the galactic uniforms of the crew of Arcadia, and the spaceship of Harlock. The «statuettes» — of twenty centimeters — that came out of Via Bramante were just the first of the steps that would take the soldiers inside the boxes. The sequel was only indirectly Greco who sent his works with a courier to Treviglio, in Bergamasque, where Atlantic had their production. «Here the models were wrapped in heraldic shells, a species of very hard and resistant resin — it continues —, from which the mold was taken, a real “fingerprint” that was then processed with the pantograph, a mechanical instrument or precision that allows these shells to “reproduce” by reducing them on the scale of 1:32 or 1:72″. After shutting down
captain harlock
They were the ones «with which the children could identify the small and big soldiers from the toy. A careful three-dimensional processing today replaced by electronic printers» followed by the production of thousands of pieces. After the closure of the Atlantic, he didn’t stop sculpting: he worked for «other famous firms, Esci, Italeri, Waterloo 1815. But they are series aimed at adults, collectors”. What about babies in the seventies? «Confession: if I saw them playing with my soldiers I would stop and say: ‘You know, I carved them. What a thrill … “
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6 Responses to  Domenico Greco Atlantic Scupltor and Much More

  1. Rich Fisher says:

    Very COOL article ! Can always count on you to have informative & unique stories on your site, Thanks Paul .

  2. Jon Burk says:

    This is an enjoyable an unexpected article from a great sculptor. Thanks, Paul!

    Sad that Atlantic was shut down so soon, but glad he was able to continue creating figures with other toy makers.

    I was left hanging since he didn’t explain why so many of the Atlantic 7th Calvary were pincushions! ;_)

  3. rahway says:

    More recently Mr. Greco sculpted the Waterloo 1815 Custer’s Last Stand figures

  4. TD Barnecut says:

    Can anyone suggest a good source for Waterloo 1815 brand figures?

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